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Drax Project is making waves Down Under as one of the biggest bands to ever come out of New Zealand. The four-piece has received 24 Platinum certifications to date, surpassing over half a billion streams with their music, collaborating with Hailee Steinfeld and performing as the opening act on tour with big names such as Ed Sheeran, Christina Aguilera, Camila Cabello and Lorde – it’s been quite the journey for the group who first began with busking on the streets of Wellington back in 2014. After reaching number two on the Official New Zealand Music Charts with their 2019 self-titled album, the band has followed up this success with their sophomore album ‘Upside,’ released last Friday (November 24). The 10-track album promises an infectious blend of Pop and RnB, not forgetting their signature jazz-inspired roots too – with the band’s name being a portmanteau of 'drums' and 'sax'. Double bassist Sam Thomson and guitarist Ben O’Leary spoke exclusively to Indy100 about the recording process behind their new album, their special headline show at London’s Jazz Café next year on July 19, as well as their career highlights so far. Almost a decade ago, lead singer and saxophone player Shaan Singh and drummer Matt Beachen were studying jazz performance at Massey University when they began busking, before recruiting fellow classmate Thomson to form their band. O’Leary a music student at nearby Whitireia joined a year later after meeting through mutual friends to make the final line-up for Drax Project. “We started writing our own songs and playing high school balls, corporate events and everything in between, we kind of just worked our way up from there,” Sam told indy100. Given the band’s jazz origins, it was no surprise to hear this genre alongside “old school funk,” are sources of musical inspiration. “We have we all have quite different musical tastes personally, but our common ones are people like D'Angelo. Justin Timberlake is probably our biggest common inspiration as a band but we honestly love all types of music,” Ben said. “That’s always changing as well,” Sam added. “I think that we are all people constantly wanting to learn that's part of our collective motivation, listening to new music is part of learning.” Five years on from their first album release, Ben noted the process for ‘Upside’ has taken a “fair few years,” with their jubilant opening track ‘Atmosphere’ being written during their first LA trip back in 2018. “That song and a few other ones were made through that period 2018-2019 before COVID and we were just living in the States, writing heaps of music with a bunch of writers,” namely Rogét Chahayed (Drake, Travis Scott, SZA), Imad Royal (Doja Cat, Chainsmokers), Ferras (Katy Perry, Dua Lipa), and Marlon Gerbes (Six60). While Sam recalled they had “a short list of about 40 different ideas” for the record that they had to cut it down from. Then the Covid pandemic hit and like all of us, the quartet were stuck at home which is where the final touches of the album came together. “We were in New Zealand and bunkered down and couldn't go anywhere like the rest of the world and we would kind of just locked away in the studio where we finished all the songs over the last year or two, and pieced the album together that way which was cool,” Ben added. However, this resulted in an opportunity to become hands-on with the production side of things as the band produced five songs from the album themselves. “I'd say that in comparison to the first record, we've taken a lot of the processes on board ourselves and it's kind of cool because it means that it's not us trying all the time to express something that's in our heads to somebody else,” Sam said. Ben agreed with this and added how the experience forced them to step back and “become a lot more self-sufficient as a band.” It is always interesting to learn about an artist’s creative process and for Drax Project who are all “primarily instrumentalists,” the instrumentation tends to formulate first for the former music students. “We all come from an instrumental background and I think that that is the thing that comes most naturally to us,” Sam explained, giving Singh as an example who has been playing the saxophone since the age of eight. “But sometimes it might be you just have a flow of something and there's lyrics and melody that come out.” ‘Luxury,’ the third (and lead) track on the album is all about living in the moment and with this, Sam says the guitar riff came first while “the lyrics and melody came pretty quickly after that.” Making music is always a collaborative effort between the four as Ben described how “Everyone gets involved,” so that by the end they have created a “product everyone’s happy with.” “Sometimes it takes a long time for us to get a song done because we kind of have this rule that we just try everyone's ideas no matter how other people might feel about it. So sometimes it takes a while for everyone to land on the same page.” Often we see bands who break up after so many years, so perhaps this is one of the keys to the band’s longevity, with almost a decade under their belt. “We're all we're all really, really good friends,” Ben said, and noted that their time as music students has helped them to develop honest relationships with each other to voice their opinions on their sound. “We don't really beat around the bush and I think that's kind of a culture from like coming from music school where if you're rehearsing and you're playing a song and something's not sound sounding right, there's no egos in the room or anything.” Sam believes the success of this long-term collaborative relationship is also down to choosing a “good collection of personalities to work together.” “I think the way that we write, the fact that we work together on every part of the music creates this culture of everybody being on the same level.” Although it was 10.30 pm with the 13-hour time difference for Sam and Ben in New Zealand when chatting via Zoom, the pair were excited to share some of their favourite songs from ‘Upside.’ For Ben, “Luxury,” is a particular highlight to listen to and writing the song was also “super fun,” while “Oh My,” the last song to make the album is also a favourite of his as it’s “a glimpse into how we play live,” with the saxophone going off. “We wanted something that kind of was a bit of a nod to how we play live like our live sets are quite energetic and higher,” explaining the song’s sound. Sam’s pick is “Good Life,” which is the fifth song on the album and has a catchy bass line hook. “I believe we hadn't played ‘Good Life’ live before and we played it last night at the album release party and it was like so fun to play.” He added: “I really also love the song Supernova. I really like it lyrically and it's kind of a different sound for us.” Following the release of 'Upside,' Drax Project have upcoming shows around New Zealand in December and January and is flying across the world to the UK in July to perform a special headline show at the Jazz Café. It’s not the first time the group has performed here, having previously been the opening act on tour for Christina Aguilera and Camila Cabello as well as playing a headline show at the O2 Academy Islington back in 2019. We had such a good time when we were there, and we spent quite a bit of time like when we were like, going back and forth from the States to London for promo and other stuff. So yeah, we really cannot wait to get back it's really one of our favourite spots,” Ben said. Sam also added: “We have a bunch of friends as well who have either moved there recently or have been there for a while but we haven't seen especially some in music who are absolutely killing it over there. So I'm pretty excited to see them.” For New Zealand, Lorde is no doubt the biggest Kiwi musical export but the country has a thriving music scene and “amazing music culture,” according to Sam and Ben. “New Zealand's tiny and then the musician circle was even smaller,” Ben explained. “So it's like everyone knows everyone,” and commented on how artists are “for the most part really supportive as well, which is good and we're really lucky.” “This new wave after the world has opened up [post-Covid] and this new scene is maybe coming through in New Zealand there's a bunch of really cool artists,” Sam said. Some honourable mentions include Che Fu, Fat Freddy's Drop, Dave Dobbyn who the band grew up listening to as well as emerging talent such as Wet Denim, Aacacia, Balu Brigada, and Neil McLeod. With the release of their second album, the pair reflected on some of their career highlights so far which include travelling to different countries, opening for some of the biggest artists as mentioned earlier and performing for their album release party on a boat sailing around Sydney Harbour. “Coming to London is right at the top of the list and just below that, I would say probably opening for Ed Sheeran or New Zealand that was massive,” Ben recalled. “It was by far the most people we had ever seen in one spot when we did that and we just kind of had our first song we're really well on radio. “So 40,000 people were singing our song back to us which was a pretty crazy feeling.” “We played our album release show last night, and it was on a boat going around the Sydney Harbour so there was like the Harbour Bridge and the Sydney Opera House while we were playing, which was a really good feeling." He continued: “It kind of just hit me it was like, ‘Oh, this is our second album now cool, this is this is what we're celebrating. This is a nice feeling.’” After the pandemic, Sam thinks releasing the second album “getting past the first album stages is going to be nice,” and playing this new material live. “I think one of the most fun shows that we've played was at this venue called Broadcast in Glasgow,” which he describes as a basement that has 200 capacity and the crowd were “really up for it,” as which lived up to Scotland’s reputation as a country known for having some of the best crowds. “It was just a good time. I'm really, really excited to go back to Glasgow as well.” Now that the album has been released, Drax Project is looking forward to the year ahead of them and shared their aspirations for 2024. “We just want to play heaps of live shows and to tour lots we've really missed doing which we will be and then get working on the next album.” Drax Project’s sophomore album 'Upside' is available to listen to on streaming platforms now and tickets for their show at London's Jazz Cafe on July 19 are available to buy here. How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

There is much debate on how artificial intelligence will impact society in the years to come, though Blade Runner director Ridley Scott has a pretty bleak outlook, comparing it to a "hydrogen bomb." The 85-year-old didn't mince his words on the matter in an interview with Deadline where he expressed his thoughts on the continuous advancement of this new technology ahead of the release of his latest film Napoleon. "...the moment you create an AI that’s smarter than you are, you’ll never know until the AI decides to do its own thing, then you’re out of control," he explained. "If I had an AI box, I could say, 'I want you to figure out how to turn off all the electricity in London'. Bam. Everything was dead. "That's a f**king time … no, it's a hydrogen bomb," he said when asked if AI is something to be worried about. “The world would close down if I switch it off, and we are all completely f**ked." "We're back to candles and matches. "Do you have candles and matches at home? I live in France, so I do.” Meanwhile, Scott isn't the first legendary director to voice concerns about artificial intelligence, as James Cameron has also previously spoken out on this issue. “I think the weaponization of AI is the biggest danger,” he told CTV News back in July this year. “I think that we will get into the equivalent of a nuclear arms race with AI, and if we don’t build it, the other guys are for sure going to build it, and so then it’ll escalate." The 69-year-old also referenced how he issued a warning about this through one of his previous films The Terminator which sees a cyborg assassin played by Arnold Schwarzenegger. “I warned you guys in 1984! And you didn’t listen," he added. How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

As you wait for Christmas to arrive, this cheery brainteaser will get you in the holiday spirit.

Anyone growing up in the late noughties will understand the cultural impact of Twilight (2008), but what would the casting choices look like if the film was made today? The movie adaptation follows the romance between human Bella Swan (Kristen Stewart) and vampire Edward Cullen (Robert Pattinson) catapulting the actors into stardom. There is much debate online amongst Twihards as to which stars of the 2020s would be able to play the role of these characters. Catherine Hardwicke, the director of the first film has her thoughts on this topic in a recent interview with Josh Horowitz on the Watch-a-long podcast. Horowitz mentioned that Priscilla actor Jacob Elordi is a popular choice for many people to play Edward. To which Hardwicke replied: "Oh, that would be perfect." "Jacob Elordi...I mean, he's amazing. He probably would be Edward today. Exactly." The podcast host also named Wednesday and Scream actor Jenna Ortega, as a potential Bella Swan - a suggestion that Hardwicke approved of. “I do think there’s a lot of really cool young actors today. Of course, you just mentioned Jenna Ortega, she’s amazing," she said. Pattinson famously criticised the Twilight series he starred in and Elordi similarly spoke out about his experience in the Kissing Booth trilogy where he rose to fame. “I didn’t want to make those movies before I made those movies,” he told GQ. “Those movies are ridiculous. They’re not universal. They’re an escape. "You have no original ideas and you’re dead inside. So it’s a fine dance,” the Australian actor added. While this hypothetical reboot cast with Elordi and Ortega sounds fantastic, there is already a different Twilight project in the works. Lionsgate is developing a Twilight TV series, the project is in its early stages, and it's reported that the author of the series Stephanie Meyer is involved but the project doesn't belong to a network or platform at the moment, as per Entertainment Tonight. How to join the indy100's free WhatsApp channel Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

SZA was the most awarded artist at the Soul Train Awards 2023 - taking home four prizes.

Olivia Dean has had a huge year with the release of her Mercury Prize-nominated debut album 'Messy'.

Kevin ‘Geordie’ Walker passed away at the weekend after suffering a stroke.

Jennifer Lopez has declared her new album This Is Me ... Now will take fans on a 'musical experience' with the singer revealing it's all about the 'journey on the search for truth about love'

All five answers to the questions below have something in common. Can you figure it out?

Gordon Ramsay knows a thing or two about the restaurant business, that much is pretty clear. He’s an authority on all things dining, with dozens of restaurants worldwide and seven Michelin stars, and according to him there’s one dish people should never order when it comes to eating out. That dish? The soup of the day. Speaking in a resurfaced interview with Town & Country, Ramsay said that restaurants can often reuse old produce and dress it up as a special. Giving people a word of advice, Ramsay said: "Ask what yesterday’s soup du jour was before today’s special. It may be the case that it’s the soup du month." So there you go – Ramsay knows best. In the same interview, he also said that he often asks waiters and waitresses for guidance when ordering at new restaurants. "It really depends on the restaurants, but servers tend to taste most of the dishes on the menu and can give you insight to what the chef has added or what locals love," he said. "Being on the road, I’ve gotten a lot of great recommendations from servers." It’s the first time that Ramsay’s been in the news since he was mercilessly mocked online after sharing the supposedly inspirational advice he received from his father-in-law. The celebrity chef was talking about getting the money together for his first flat with partner Tana back in the day, when he asked her father, Chris Hutcheson, for a loan. Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

There’s something charming about a cheesy Christmas movie – but Netflix users are really going in two-footed on the platform’s new festive film. Best. Christmas. Ever stars the likes of Brandy Norwood, Heather Graham, Jason Biggs and Matt Cedeño and has become one of the most popular films on the streaming service. As you might expect, it’s a tale of unlikely companions at Christmas time, with a pair of frenemies and their families brought together over the holidays by a “twist of fate”. Despite the film rising up through the ranks and becoming one of the most-watched films on Netflix, not everyone is a fan. The film has a rating of 33 per cent and some people took to social media to voice their criticism of the movie – with some calling it the “worst Christmas film ever”. Harsh. “On a scale of 1-10, the new Netflix movie ‘Best. Christmas. Ever!’ is the worst movie of all time #BestChristmasEver,” one slammed the film. “#BESTCHRISTMASEVER is probably my the worst Christmas movie I’ve seen in a long time…” another said. “Netflix’s new Christmas movie #BestChristmasEver is a dumpster fire,” another unhappy viewer wrote. Some, however, clearly absolutely loved it. One fan wrote: “#BestChristmasEver is the greatest Christmas movie of all time. You will laugh. You will cry. You will be confused at the plot changing every 10 seconds. And you will hate the main character whatever her name is. 10/10 loved every second.” https://twitter.com/k_thebeauty/status/1726392795185742102 “I live for a cheesy, confusing holiday movie with a plot I can barely understand. #BestChristmasEver,” another said. Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

Anyone hoping that Kanye West’s verbal attacks on Jewish people were a thing of the past has just been proven stomach-churningly wrong. Over the weekend, footage emerged of the disgraced rapper-producer, 46, dancing along elatedly to his new track ‘Vultures’. He was accompanied by that other paragon of male virtue, Chris Brown, 34, who bopped alongside him to some of the most offensive lyrics we’ve heard in a long time. In the song, which is a collaboration between West and Ty Dolla $ign, the former Mr Kim Kardashian says: “How I’m antisemitic (sic)? I just f***ked a Jewish bitch.” At that point, he and Brown beam at each other, before the song continues: “I just f**ked Scooter's b***h and we ran her like Olympics. Got pregnant in the threesome, so whose baby is it?” This appears to be a reference to Scooter Braun, Ye’s former manager, whom he fired in 2018. Last year, Braun divorced his wife of six years Yael Cohen Braun – a Canadian health activist and founder of a charity called “F**k Cancer” – who is Jewish. The clip, which has been widely circulated on social media, has understandably been met with horror and disgust. Sharing the video to Instagram, New York businesswoman Tanya Zuckerbrot asked: “What’s more sickening? The lyrics [...] Or the fact that both Kanye West and [Chris Brown] find it hysterical?” She followed up by branding the pair “sick, masochistic, antisemitic f**ks.” Thousands of others agreed, with one commentator writing: “Let the record industry chew on this. Let them never EVER work again.” Another urged viewers to block the two artists from their Spotify accounts, providing instructions on how to do so. While a third branded Brown and Ye “the two most problematic rappers of all time”. West, who lost his highest-profile contracts over hideous displays of antisemitism and Nazi veneration last year, continues to face demands to be axed from top streaming platforms. A year ago, a man from Milwaukee launched a petition calling on the likes of Spotify, Apple and Amazon Music to remove all of his solo tracks in a bid to “limit [his] influence on society”. Nathan Goergen wrote on the campaign’s Change.org webpage: “Kanye West has recently made statements praising Hitler and denying the Holocaust, after over a month of making harmful antisemitic statements. “Our society has no place for people who spread that kind of hate to be making millions off of their work. I call on Apple Music, Spotify, Amazon Music, and other streaming platforms to immediately remove all of Kanye West’s solo albums and singles from their platforms. “By doing this, I hope that we can limit Kanye’s influence on society by eliminating his ability to make money off of people streaming his music. His statements are virtually irredeemable, and the time has finally come for him to receive a major punishment. We cannot let him continue to influence our youth and our society as a whole.” It has since garnered more than 95,000 signatures. And yet, the fact that the 46-year-old is still able to release songs featuring such offensive lyrics, and celebrate this alongside a convicted domestic abuser, shows that the world as a whole simply doesn’t care enough to prevent such despicable behaviour. Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings