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I can’t lie. I felt famous during New York Fashion Week. With my focus oscillating between Google Maps and the cobblestone streets of Tribeca, I had no time to stop and think about the scene I would be approaching. The thing with runway shows is they never start on time. Who shows up early these days anyway? For me, someone constantly late but willingly accepting every opportunity, NYFW’s schedule worked to my advantage. Still, inklings of doubt mixed with the rush of not knowing how late would be too late – leaving me with little room for mental preparation. In the case of the Brandon Maxwell show, I anticipated an intimate setting. I was told the guests were close friends, family, and a few high-profile fashion moguls who were asked to refrain from using recording devices during the presentation. It was a trusted circle of less than one hundred. I knew there’d be paparazzi outside impatiently awaiting the elite attendees. However, I didn’t foresee the vast amount of turned heads and focused cameras crowding the corner of Walker Street and Cortlandt Alley, all readily directed at me. Suddenly, I was someone to be noticed. Through the white flashes and crisp calls for attention, I approached the threshold of the Andrew Kreps Gallery. I presented myself to be checked off a list of people deemed special enough to see inside. Camera personnel and event staff had no clue who I was or why I was there – the irony. I wasn’t Julia Fox, Anna Wintour, or Blake Lively-level distinguished or expected. But I, Kaleigh Werner, was presumed worthy of being photographed and granted access based on proximity, invitation, and seating. It was thrilling. I felt as though I’d made it. In the literal form, yes, I’d arrived at my destination and found my chair. But metaphorically, I was on the cusp of something sensational that surpassed the rush of being realised through an entirely new lens. As a reporter, someone invited to review these presentations, it’s easier to block out the A-list noise. My attention remains locked on the intricacies of each collection, and figuring out how they mirror the thoughts of a designer. Whether sitting in the front or standing in the back, I’m concentrating on how a designer’s societal impression can be contextualised in fashion, while still adhering to the temperature regulations of the season. I’m in a gallery or a museum to perceive art, not at a red carpet event. I’m not being dressed by the brand. I’m not worried about how I look. The runway demands my attention. So, my gaze is directed there. This year I attended three shows: ADEAM, Atelier Ndigo, and of course, Brandon Maxwell. For ADEAM’s spring/summer 2024 show, hosted inside a warehouse on the west side of Manhattan, creative director and CEO Hanako Maeda effectively fused her longtime love for the ballet with her desire to “juxtapose the performance art as a sport”. “I think the collection combines the romanticism and couture-like craftsmanship that you see in ballet costumes with a more modern, sporty mood. I also added a touch of rock ‘n’ roll edge with the accessories,” Maeda told The Independent. Through tulle skirts, corsetry, ribbon, sheer Ponte, mixed media knits, and tailoring, Maeda - who designed the costumes for New York City Ballet’s Fall Fashion Gala in 2015 - reconfigured ballerinas to be models replicating a facile silhouette on the street. By using the specific material and intentional shape often associated with ballet, she harnessed the “athletic prowess” a performance artist displays and weaved it into everyday wear. Atelier Ndigo played with personal inspiration by utilising vibrant colours, textured fabrics, and structured pieces. From a bumpy white two-piece to balloon short sleeves, brand founder Waina Chancy once again proved to be an architect in dainty yet outspoken fashion. The white-washed walls of Spring Studios, complete with a backdrop of block brand lettering, only made every shade of red, purple, pink, and orange louder. Back at Andrew Kreps Gallery, Brandon Maxwell strayed from the eccentricity of his past spring collections to construct an ethereal response to the power of love. To him, that response is seen through sheer and natural beauty, along with coding that only added a breath of elegance. On the catwalk, gusts of chiffon, leather, knits, and denim blew past the few guests who sat in the studio. With flourescent lights and white ambiance, it felt as thought Maxwell had called upon angels to introduce a new wave of purity and innonence. Yet, the see-through materials mixed with belted pieces reminded us of the allure of form. The Brandon Maxwell spring/summer 2024 runway presentation wasn’t just the launch of a new line, but a visceral discussion on freedom and restraint - being simutaneously aware of both independence and determinism. From the distant eye, minimalism was triumphant. But upon closer look, the details were unveiled. Spliced sleeves turned biker-esque jackets and blazers into capes; sheer layers over and under long, fitted jackets transformed signature workwear into chic formalwear; and ripped, patchwork denim paired with slouched sweaters or unbuttoned button-ups brought an air of luxury to street style. As I exited down the steps to return to the reality of a typical work day, I stuck around to see who I could spot leaving the venue. NYFW has assumed a certain social stigma and media blitz. As much as it’s known for the inspired collections crafted by the minds of upcoming and distinguished talents, the seven-day affair has been hit with criticism, as more participants and curious observers are blinded by its social scene. After an animal rights advocate and PETA supporter stormed Coach’s spring/summer 2024 runway to protest the brand’s use of leather, discussion errupted around influencers increased presence at NYFW. Famed creators like Taylor Hawkins have been quick to point out how “dead” some events can get, due to the amount of brands that prioritise seating and dressing social media stars based on their online presence. Kelly Cutrone, best-selling author and CEO of People’s Revolution, echoed these sentiments in conversation with Dear Media during NYFW in February. “It’s just like, because you’re good at marketing yourself on the internet doesn’t make you a fashion expert,” she said about influencer being invited to shows. “Don’t pretend that just ‘cause you come here for a week that you’re in the fashion business.” For industry representatives - who are devoted to furthering the conversations that are evoked in fashion collections - their experiences are entirely separate from those who are invited to sit and make content about what they saw. These professionals are behind-the-scenes, speaking with the creative directors and producing copy to candidly honour their own work. “You know what I really don’t get, and what I don’t have much time for anymore. The fact that so much of the fashion content around the show that I see, especially on Instagram with these influencers, it’s really all about them,” fashion journalist Mosha Lundstrom Halbert said on her podcast, NEWSFASH. “It’s all about the fact that they got to go to fashion week - okay, cool. The fact that they’re being dressed by the designer - great, I’m happy for you,” she went on. “No editors get dressed by the designers, that’s really just influencers. And the fact that they’re going to show you where they sat and who they’re friends with...” But, there’s an advantage to having paparazzi feed off the unpredictable swarm of A-listers and influencers, and an obvious benefit to designers who decide to fill their front row with them. At ADEAM, Lana Condor, Elsa Husk, Poppy Delevigne, Harry Shum Jr, and Anna Cathcart were among the photographed VIPs. Meanwhile, Brandon Maxwell hosted Henrik Morten Lischk, Lisa Aiken, Eva Chen, Camila Alves McConaughey, Kat Collings, and Alex Badia. From a brand perspective, visibility is everything. In order for clothes to sell, the pieces need to be represented and observed by the right people – the “Emily Ratajkowskis” who generate buzz, or the social media influencers who inspire fads. It’s worth noting that, even though the production, styling, and individual garments speak volumes to the attractiveness of a collection, desire is often born from those who are adored and admired. Designers will develop their seasonal lines in tandem with a muse or inspired concept, like ADEAM’s spring/summer 2024 being motivated by the ballet or Brandon Maxwell’s being an answer to the impasse of freedom and restraint. Then there was Dolce and Gabbana’s famed spring/summer 2023 show curated by Kim Kardashian, after both Domenico and Stefano were galvanised by the reality star’s “it girl” essence. High fashion runway can be viewed as a melting pot of celebrity image and designer conception. While the relationship between famed figures and name brands is pertinent to Fashion Week criticisms, the focus shouldn’t be on celebrity sightings or social climbings. Although I observed a clear presence of exclusivity hovering over runway presentations and after-parties, I found the purpose is not to be seen but to step inside the minds of imaginative designers and celebrate the execution of their visions. Read More London Fashion Week 2023: All the highlights from day two British Vogue appoints Chioma Nnadi as Edward Enninful’s successor London Fashion Week: Jourdan Dunn walks in emotional Richard Quinn show

First Rihanna, now Sienna: maternity fashion is officially a staple on the red carpet. Sienna Miller became the latest star to opt for a bold look that accentuated, rather than hid, her pregnancy bump at the lavish Vogue World event at London’s Theatre Royal Drury Lane, where the glitterati gathered to celebrate fashion’s best and brightest. Miller wore a romantic two-piece from Schiaparelli, with a couture crop top and puff-ball skirt both in a white silk material, paired with velvet peep-toe heels and sheer black tights. The 41-year-old’s ensemble follows pop star and Fenty Beauty mogul Rihanna’s trend-setting style while pregnant, including her look at the Gucci autumn/winter 2022 show, and the dramatic lingerie-inspired sheer dress worn to Dior’s autumn/winter 2022 event. “It's a lot of custom lately,” Rihanna told Fashionista at the opening of her Los Angeles Savage x Fenty store in March last year. “I'm pushing myself to just go for it, and I'm having fun. So the stuff that's more strappy or more revealing or that's not for maternity, I want that.” “My body is doing incredible things right now, and I’m not going to be ashamed of that,” she told Vogue that same year. “This time should feel celebratory. Because why should you be hiding your pregnancy?” Rihanna famously unveiled her second pregnancy while performing live at the Super Bowl halftime show earlier this year, while wearing a red lace bodysuit with arm-length gloves and stiletto heels. In a Voices piece for The Independent, Lucy Gray praised the Barbados-born “Diamonds” artist for empowering women to dress however they want. “Rather than elicit any feelings of inadequacy, she served to make mothers seem powerful, sexy, and ultimately cool. In an event focused on men’s strength, this halftime show karate-chopped the game and said, “Oh? Didn’t they tell you that I was savage?” she wrote. “All too often in television and film, pregnant and postpartum women are portrayed as not sexual, as frumpy and grumpy. As a childless woman, I salute any pregnant person and say be as grumpy as you damn well please, but for millions around the world to see a portrayal like this can only be positive.” Other celebrity women have swiftly followed suit. Tennis star Serena Williams announced her second pregnancy with her appearance at this year’s Met Gala, while wearing a sparkling pink and black Gucci blazer and matching Gucci dress with tulle mermaid tail and Tiffany pearls. Schiaparelli’s creative director Daniel Roseberry told Vogue.co.uk that the past “rule” for how women should dress while pregnant was one to “consider, question, and in [Miller’s] case, disregard entirely”. “Her choice is our honour,” he told the publication. “Nothing but our love and congratulations to Sienna and her little one in the making.” Miller shares her first child, Marlow, with former partner Tom Sturridge, who also attended the event with new girlfriend Alexa Chung. Miller is currently dating actor Oli Green. Her stylist Harry Lambert said he was “super proud and excited” for Miller’s look, remarking that it “deserves to make headlines”. The Layer Cake star later changed into a red tartan set to perform onstage at Vogue World, joining her acting peers including Damien Lewis, James McAvoy, James Corden and Cush Jumbo. Hailed as London’s answer to the Met Gala, the star-studded extravaganza on Thursday night was helmed by legendary American Vogue editor Anna Wintour, and featured a dramatic catwalk show spotlighting British labels on the eve of London Fashion Week. The “multi-act celebration of the British performing arts” aimed to raise money for a variety of arts institutions, including the Royal Ballet, the National Theatre and the Royal Opera House. The blockbuster show opened with model Kate Moss walking across the stage, and closed with the appearance of four of the “original supers”: Naomi Campbell, Cindy Crawford, Linda Evangelista and Christy Turlington, who will debut an Apple TV+ docuseries tracking their rise to fame on 20 September. Read More Celebrities mingle with royals at glam Vogue World party in London Coco Chanel: Nazi collaborator AND brave resistance fighter in wartime Paris? Sienna Miller pregnant with her second child Celebrities mingle with royals at glam Vogue World party in London Sienna Miller bares baby bump at celebrity and royal-studded Vogue event Bella Hadid seen with shaved head in new Marc Jacobs campaign

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

It’s been dubbed Britain’s answer to New York’s Met Gala: London’s first ever Vogue World, happening this Thursday, will be a star-studded theatrical extravaganza, fundraising for Britain’s cash-strapped performing arts scene. And at the helm, of course, is Vogue’s all-powerful Editor-in-Chief Anna Wintour. Billed as a “multi-act celebration of the British performing arts”, the event will be fabulously starry. On the line-up will be British celebrity royalty, including supermodels Kate Moss, Cara Delevingne and Adwoa Aboah, British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba. In 2022, the first ever Vogue World took over New York’s meatpacking district with a rough-and-ready fashion show and street food fair, paying homage to the city’s street atmosphere and culture. It was quite the eclectic affair. “Old Town Road” singer Lil Nas X performed with the Hadid sisters as backup, 112 models stormed the runway to Madonna’s “Vogue” while Serena Williams made a surprise cameo. And it was all wrapped up with a street food party featuring pop-up stalls run by couture houses (think pastrami sandwiches courtesy of Michael Kors, gourmet cookies by Gucci and high tea by Burberry). Vogue World’s pilgrimage to UK soil feels like an inevitable one, given that British and US Vogues are at the heart of Conde Nast’s operation. But behind Vogue World is an epic power struggle between the two editors, Wintour and British Vogue’s outgoing editor-in-chief, Edward Enninful, as she moves closer into his territory and is even rumoured to be looking to relocate back to London. On the surface, the fundraising goal is the same as the Met Gala – a philanthropic arts cause the fashion crowd can get behind while at the same time beaming the Vogue brand around the world. Thursday’s extravaganza will be held at the Theatre Royal Drury Lane in London’s West End to raise money for Britain’s critically underfunded performing arts scene, which Anna Wintour insists is “under threat”. All net proceeds from ticket sales will be pledged to a range of performing arts organisations – but so far, they all seem to be based in London – including the National Theatre, Royal Opera House and the Royal Ballet. “The arts are under threat in the UK,” said Wintour of the fundraising decision. “Vogue World will be a timely reminder of how important they are, how vital a part of our lives, and how much they need our support.” A three-tiered party The main attraction of the night, like the Met Gala, will be the red carpet running outside of the theatre, where celebrities will fight it out to be the best dressed in the latest Spring Summer 2024 couture. But that won’t be all the event has to offer: those who were lucky enough to scoop up the exclusive and now sold out £150 tickets will watch live performances overseen by The Crown director Stephen Daldry, followed by a catwalk show featuring collections from British fashion labels like 16Arlington, Burberry and Vivienne Westwood to kick off London Fashion Week, which starts this Friday. Although the details of the event are being kept under the closest secrecy, we can hope for a number of spectacular surprises – perhaps cameos from British acting greats on stage at the Theatre Royal, or live performances from stars confirmed to be attending, like Stormzy or opera singer Hongni Wu? The theme The Met Gala is famed for its iconic yet often polarising themes, some of which have been cemented into fashion history. There was 2019’s Camp: Notes on Fashion, which saw Lady Gaga go through four theatrical outfit changes, or last year’s ode to the late controversial Chanel designer Karl Lagerfeld, with both Doja Cat and Jared Leto styling themselves as Lagerfeld’s beloved white cat, Choupette. While the Met Gala was launched as a fundraising evening for New York’s Metropolitan Museum of Art’s Costume Institute in 1948, the event has grown to be the most exclusive event of the year, with an all-important red carpet arrival followed by a glamorous charity dinner and afterparty. The theme for Vogue World 2023 is in keeping with its cause. The invitation for the event says the dress code is “Opening Night”, with the invitation’s design depicting a West End stage covered by blood-red velvet curtains. Meanwhile, the original poster for Vogue World’s London edition sees British supermodel Naomi Campbell standing in a dance studio, dressed in all-black, while a group of leotard-clad ballet dancers straddle a wooden barre behind her – another nod to Britain’s performing arts scene. Though Vogue World tickets do not come with a price tag as hefty as the Met Gala’s eye-watering $50,000, we hope celebrities tackle the Vogue World theme with the same commitment. Expect lots of West End theatrics, glamorous gowns, theatre binoculars and endless references to London’s world-leading theatre culture. The guest list The guest list is expected to be packed out with A-listers (the theatre’s auditorium seats more than 2000 people). Representing British supermodels will be Kate Moss, Cara Delevingne and Adwoa Aboah. It’s likely that Enninful’s very close friend and confidante Naomi Campbell will be playing a leading role, given that she appeared in the original marketing campaign for the event. British rapper Stormzy, former Spice Girl Victoria Beckham as well as actors Ian McKellen and Idris Elba will all be involved in the theatrics in some capacity, as we know. Bridgerton’s Simone Ashley, Sienna Miller, Emilia Clarke and Kate Winslet will also be dropping in, while musician FKA Twigs is also expected to participate in some capacity since she was also included in Vogue’s announcement. But all eyes will be on “Vossi Bop” rapper Stormzy and who might turn up on his arm; it’s rumoured that he has rekindled his romance with Love Island presenter Maya Jama after fans spotted that the pair were holidaying in the same villa. We have word from Maya’s publicist that she is filming abroad, but seeing as the presenter starred on the August cover of British Vogue, will she fly back in time for the big event? The politics Vogue World comes at a time when Vogue’s senior editorial team is under scrutiny like never before The event has been billed on its invite as a collaboration between Edward Enninful and Anna Wintour, but it is very much seen as Wintour’s creation. Many will be watching closely, given rumours of a “feud” between the two editors ahead of Enninful’s departure. The rumour mill began the whir when the company announced in June that Enninful, who became the first Black gay man to take the role of editor-in-chief in 2017, would step back from Editor-in-Chief at British Vogue in January to become a “global creative and cultural advisor”. Alexandra Shulman, who was succeeded by Enninful when she stepped down as editor in 2017, has since said that Enninful was “always playing second fiddle to Anna Wintour” within the company, amid rumours that Enninful had harboured ambitions to become editor of US Vogue, which led to a rumoured rift between him and Wintour That Wintour is on Enninful’s London turf is being seen very much as her taking back “control”.She is said to be sizing up who will be Enninful’s replacement as British Vogue’s notably less fancy sounding “head of editorial content”, as the company’s senior editorial team prepares for an internal shakeup. At the front of the race is Chioma Nnadi, editor of vogue.com, and a global network lead at the company – a London girl who could be coming back to UK soil to take up the role when Enninful leaves. “Chioma is a great choice,” one insider told The Times. “She is serious and clever and knows her stuff. She doesn’t suffer fools.” Another Conde Nast insider told the newspaper: “Chioma isn’t the terrifying fashion editor of old. She’s quite shy one-on-one, and very calm. She’s one of those people that pauses before she answers a question.” One source credited Chioma for being down to earth. Another said: “She Brooklyn, not Manhattan”, while another said the journalist is the “nicest person” they had ever dealt with at Vogue. An announcement is expected this week with whispers that the news could break at Vogue World on Thursday. However, also in the running alongside Nnadi is Sarah Harris, the European deputy editor and another global network lead, who has worked on the fashion desk for almost two decades and has become an influencer of sorts, having been credited for making silvery-grey hair cool with her unmistakable locks. Others in the running could be Mark Holgate, another Brit in New York, who heads up fashion news on the US edition, or Emily Sheffield, the former editor of The Evening Standard and Vogue deputy from 2005 to 2017, who is also the sister of David Cameron’s wife Samantha. However, it seems a decision has not yet been made – the vacancy for Head of Editorial Content on the Conde Nast careers portal still says applications are open. Vogue fans will be watching what happens next in the chapter of fashion’s most iconic title and who will win the battle for its soul. Thursday’s gala could be a chance for Vogue to retain its relevancy in the world of live-streamed red-carpet events (Vogue’s Met Gala live stream generated 53 million viewers alone last year). And while Wintour is certainly the face of the Met Gala as its host, it is not Vogue’s creation, nor is it Conde Nast’s. Could Thursday night be an opportunity for Conde Nast to call a red-carpet event its own? Whatever the goal, this week’s Vogue World is clear evidence of the brand’s desire to evolve and maybe Anna Wintour’s desire to take back control. Read More Ex-Vogue editor claims Edward Enninful was ‘always playing second fiddle’ to Anna Wintour Edward Enninful steps down as British Vogue editor-in-chief to take on new Condé Nast role amid reports of rift Kate Winslet rails against male executives who ‘patronised’ her while she was raising money for new war drama Vogue story on Kylie Jenner and Timothée Chalamet’s sparks backlash Saweetie’s ‘caveman’ inspired VMAs dress sparks comparisons to The Flintstones Selena Gomez returns to the VMAs red carpet in stunning red dress

Taylor Swift showed up for the 2023 MTV VMAs decked out in a stunning black gown with a thigh-high slit. On Tuesday 12 September, Swift, who is nominated for multiple awards, arrived on the pink carpet at the Prudential Center in Newark, New Jersey, for the awards ceremony. For the occasion, she opted for a black, floor-length Versace dress with ruching and gold button details. She paired the look with multiple necklaces and a low updo. Fans were excited by Swift’s all-black ensemble, saying that it was Reputation inspired. One fan wrote on X, formerly known as Twitter: “DJ please play dress by Taylor Swift (Reputation Taylor‘s version).” Someone else commented: “NO THOUGHTS JUST TAYLOR SWIFT IN A BLACK DRESS WITH A SLIT.” Tonight, the pop star is leading the 2023 VMA nominations with 11 noms, including three in social categories. Swift is up for Artist of the Year, Video of the Year for “Anti-Hero,” Song of the Year for “Anti-Hero,” Best Pop for “Anti-Hero,” Best Direction for “Anti-Hero,” Best Cinematography for “Anti-Hero,” Best Editing for “Anti-Hero,” and Best Visual Effects for “Anti-Hero.” At the 2022 VMAs, Taylor Swift showed up dripping in diamonds. That night, she notably took home the most awards at the VMAs. She won the Video of the Year, Best Long-Form Video, and Best Direction for “All Too Well (10 Minute Version) (Taylor’s Version).” Swift also made history that night as the first artist to win Video of the Year three times, a huge record to hold. Her other winning videos include “Bad Blood” and “You Need to Calm Down”. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat Taylor Swift and Ice Spice react with shock to NSYNC reunion at 2023 MTV VMAs Lance Bass gifts Taylor Swift friendship bracelets while presenting her award at VMAs: ‘Cutest thing ever’ Lance Bass gifts Taylor Swift friendship bracelets at VMAs: ‘Cutest thing ever’ Olivia Rodrigo shuts down rumours that she’s feuding with Taylor Swift Cardi B wears dress made entirely of hair clips on 2023 VMAs red carpet

A ceremony notorious for its shocking on-stage moments and outrageous red carpet looks, the MTV Video Music Awards, otherwise known as the VMAs, will take place on Sunday 30 August. But, due to the ongoing coronavirus pandemic, this year will be unlike any other. The event, which celebrates the best music videos of the year, was originally set to air live from Barclays Centre in Brooklyn, but those plans have since been scrapped. Instead, the show will consist of various live outdoor performances across New York City from artists including Ariana Grande and Miley Cyrus, which will all be streamed online and presented by Scream Queens and Hustlers star Keke Palmer. While little else is known about the details of the ceremony, one thing viewers can be sure of is that there will be plenty of show-stopping looks to enjoy. According to direct messages shared by fans on Twitter, the VMAs is planning on having a formal red carpet of some kind, but in what capacity it will take place is uncertain. Since the first ceremony in 1984, the VMAs has delivered some iconic outfits aplenty, ranging from the truly show-stopping to the downright bizarre. Over the years, we have seen Lady Gaga arrive in a dress made out of meat, Katy Perry pay homage to Britney Spears and Justin Timberlake’s double denim moment, and Lil’ Kim wear one of the most famous body-baring jumpsuits of all time. Click through the gallery above to take a look back through the most memorable and iconic looks to have ever graced the VMAs red carpet. Read More Fashion experts pick the essentials you need for your staycation

Selena Gomez has stunned in a show-stopping red dress as she marks her return to the VMAs red carpet. Gomez’s appearance at the 2023 MTV VMA’s is a delightful treat for fans since she hadn’t publicly announced that she would be attending, but her showing up in style is far from a surprise. The “Single Soon” singer is up for not only Song of the Year, but Collaboration of the Year, and the Best Afrobeats VMA Awards. The last time the star attended the VMAs was back in 2015, when she was nominated for Song of the Summer for her collaboration with A$AP Rocky on “Good For You.” Gomez also performed “Same Old Love” from her hit album Revival and hung out with one of her longtime best friends Taylor Swift throughout the evening. The Only Murders in The Building actor may be adding a few more trophies to her collection tonight for her international pop hit with Rema for “Calm Down.” Photos posted to X, formerly known as Twitter, showed Gomez posing with fans outside of the awards show, which is taking place at the Prudential Center in Newark, New Jersey. She also posted a video on Instagram of her singing the song along the way to the event. Of the song, Rema told Pitchfork, “‘Calm Down’ is about the events that led me to finding love at the time”. The song resonated with listeners worldwide, and ultimately led to it becoming a contender for one of the most coveted awards of the night. Read More 2023 MTV VMAs: The best-dressed stars on the red carpet, from Olivia Rodrigo to Doja Cat MTV VMAs: Most iconic outfits of all time, from Lil’ Kim to Lady Gaga What time does the 2023 MTV VMAs start and how to watch?

Always one of the most eagerly awaited events at London Fashion Week, the Burberry catwalk show attracts A-list celebrities, high-profile fashion editors and the biggest influencers from around the world. Last season, supermodel Naomi Campbell sat alongside Rosie Huntington-Whiteley and Jason Statham on the front row to watch chief creative officer Daniel Lee unveil his debut collection, and expectations are high for the designer’s second show, which takes place on September 18. Coveted by consumers across the globe, the luxury label is perhaps the most famous British fashion brand, but it hasn’t always been such a hot property. Ahead of London Fashion Week, which starts on September 15, we look back at the tumultuous history of Burberry… Adventurous origins The brand was founded in 1856 when 21-year-old former draper’s apprentice Thomas Burberry opened his first shop in Basingstoke, Hampshire. Focused on creating outerwear that shielded wearers from typical British weather, the founder invented gabardine – a water-resistant but breathable fabric – and patented it in 1888. “Prior to this, waterproof clothing was made of rubberised cotton which was cumbersome, not breathable and certainly not chic,” explains celebrity fashion stylist Miranda Holder. “In contrast, garbadine’s individual fibres were waterproofed before the weaving process, creating a lighter, more fluid and comfortable piece.” In early examples of celebrity endorsement, Norwegian explorer and zoologist Dr Fridtjof Nansen wore Burberry gabardine when he sailed to the Arctic Circle in 1893, while famed British explorer Sir Ernest Shackleton chose the outerwear for three expeditions in the early 1900s. The war years The now-iconic Burberry trench coat was invented during WWI with a range of features designed for military use – including the gun flap and D-rings to carry grenades – many of which remain today. “Each classic Burberry trench is composed of 90 individual, specially shaped components,” says Savile Row tailor Alexandra Wood, founder of Alexandra Wood Bespoke. “The key design elements include its double-breasted front, shoulder epaulettes, beige colour, belted waist, buckled cuffs, storm flap, and a checked lining that the brand has become synonymous with.” The distinctive beige Burberry ‘nova check’ was introduced in the 1920s and is still used as a lining now, with the ever-popular trench coats retailing from around £1,500. “The appeal of the Burberry trench has to be largely due to its adaptability,” says Holder. “The coat’s pale beige colour perfectly lends itself to a myriad of different outfit options, and the flash of luxury lining – nova check or not – makes it instantly recognisable as a luxury piece.” The royal seal of approval In 1955, Queen Elizabeth II granted Burberry a royal warrant as a weatherproofer, and by the Swinging Sixties business was booming, with the brand saying it made one in five coats exported from Britain. The nova check graduated from discreet lining to designer status symbol, with coats, scarves and umbrellas in the beige print proving popular with shoppers in the Seventies. In 1990, Burberry secured its second royal warrant, as an outfitter, from the now King. Noughties notoriety After decades of success, the Burberry shine was tarnished when a more mainstream audience embraced nova check in the late 1990s, snapping up entry-level items and causing the brand to discontinue sales of baseball caps. “The pattern soon filtered down to the high streets and eventually the football terraces – it remains one of the most copied counterfeit designs today,” says Holder. “As a result Burberry’s star fell hard, the brand losing any exclusivity it once had, being unable to control who wore the label.” Paparazzi photos of Eastenders actress Danniella Westbrook in head to toe nova check were seen as the final nail in the coffin, she adds: “Danniella was getting a lot of very negative publicity at the time, relegating the designer to the bins of bad taste.” The catwalk comeback Attempting to rehabilitate the brand as the new millennium dawned, Burberry opened its first store on upmarket Bond Street in 2000 and brought in 29-year-old Christopher Bailey as design director the following year. “Christopher Bailey made a significant impact during his tenure as creative director by modernising Burberry’s image, introducing digital innovations, and collaborating with artists and musicians,” says Wood. “It made Burberry fresher and more relevant and helped to make the brand have an edge, whilst remaining sympathetic to its crisp, British design aesthetic.” Scaling back production of nova check, Bailey brought glamour to the brand and staged blockbuster catwalk shows with live music from artists such as Tom Odell and James Bay. “He updated the classic trench, putting new twists on the heritage design and bringing in supermodel Kate Moss to give it a new lease of life,” Holder says. “Bailey successfully repositioned Burberry as an industry leader and innovator, and as a result, tickets to their catwalk shows were some of the most sought after on the London Fashion Week schedule.” A-list appeal Following the departure of Christopher Bailey with a memorable rainbow-themed catwalk show, Italian designer Riccardo Tisci was appointed chief creative officer at Burberry in 2018. “Riccardo Tisci injected some younger, more contemporary energy into the aesthetic, which was a roaring success,” Holder says. “Influenced by streetwear, his collections attracted younger fans who appreciated his edgier styles, despite critics pointing out a lack of continuity with the brand’s more traditional heritage.” Tisci enlisted model friends such as Kendall Jenner and Irina Shayk to walk the runway and dressed stars including Nicki Minaj and Kate Moss for the Met Gala. He also reintroduced nova check, much to the delight of celebrities and a new generation of Burberry fans. Bradford-born Daniel Lee took over from Tisci and made his debut at London Fashion Week in February 2023. The autumn/winter collection – which didn’t feature any beige trench coats – teamed sweeping coats and chunky knitwear with irreverent accessories like a woolly hat shaped like a duck and hot water bottles carried like clutch bags.