A Taylor Swift fan was shocked to find “creepy” electronic music when she played her new Speak Now (Taylor’s Version) vinyl of the new album. Speak Now (Taylor’s Version) was released on July 7, 2023 and quickly broke the Spotify record for the most single-day streams for any album in 2023 so far. It is also the most streamed country album in Spotify history. As well as impressive streaming feats, many fans have also opted for physical copies of the album, with over 225,000 vinyl sales, less than a week into its release. Rachel Hunter, a British fan of Swift, couldn’t wait to listen to her copy of Swift’s latest re-recording after returning from vacation. But, as she found out, it seems not every vinyl was pressed correctly. Sign up to our free Indy100 weekly newsletter “This voice started, and I was like, ‘Oh my God, do I have, like, a secret message from Taylor on my album?’” Hunter said Speaking to NBC News. “And I was like, that’s not Taylor Swift.” In her confusion, Hunter posted a now viral TikTok over the mysterious album, asking “does anyone else’s Speak Now vinyl not have Taylor Swift on it?” @mischief_marauder send help I got speak now (not Taylors version) this is so funny #speaknowtaylorsversion @Taylor Swift @Taylor Nation #erastour #speaknoworchid Hunter proceeds to play the album, instead of hearing Swift’s voice, she instead hears the song “Happy Land,” an electronic song by the group Ultramarine. On the B-Side of the album is the song “Soul Vine (70 billion People)” by Cabaret Voltaire. After posting the vinyl to TikTok fans quickly discovered that the songs appear on the album “Happy Land: A Compendium of Electronic Music from the British Isles 1992-1996 Volume 1.” “Happy Land” is distributed by the record label Above Board Distribution, whilst Swift’s album is distributed by Universal Musical Group. “Due to a pressing blunder, some Taylor Swift fans received a misprinted copy of ‘Speak Now (Taylor’s Version),’ which we have learned features audio of ‘Happy Land (A Compendium of Music from the British Isles 1992-1996),’” said Dan Hill, the founder and managing director of Above Board, in a statement to NBC News. “While this error was beyond our control, we sincerely hope anyone who received what is Not Taylor’s Version of the vinyl enjoys the beats. It might very well end up being a collector’s item!” Hunter said she’s decided to keep the mistresses vinyl, unless someone wants to offer her VIP tickets for Swift’s tour, she joked. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Tracey Emin has opened up about “totally accepting death” when she was diagnosed with an aggressive form of bladder cancer in 2020. In June 2020, visual artist Emin was diagnosed with cancer, and subsequently underwent a series of major surgeries, including a full hysterectomy, as well as the removal of her urethra, bladder, lymph nodes, and part of her vagina and intestine. In April 2021, she shared that the cancer was “gone” after the surgery. In a new interview with The Times, Emin, 60, explained that upon her diagnosis, she was told that there was no guarantee the surgery would be successful in removing the cancer. At the time of her diagnosis, Emin said that she had feared being “dead by Christmas”. As a result, the Turner Prize nominee explained: “I totally accepted death – absolutely, totally.” “I think accepting death on such a profound level was what’s kept me alive,” she said. “I thought, you know what? Death looks after itself. We all die – now I’ll look after living. “I realised that my life has never really been living. I’ve been just dying. I’ve been so nihilistic. I thought, this is gonna change – if I get through this I want to look forward to things and I want to be present.” Emin, 60, now has a stoma (an opening on the abdomen connected to the urinary system allowing waste to be diverted out of the body) and uses a urostomy bag, which she will need to use for the rest of her life. On International Women’s Day in March, Emin penned a powerful personal essay in The Independent about her relationship with her body after surgery. Here, the artist admitted that she “hated” her bag, “but most days I’m philosophical; knowing that it keeps me alive”. She recalled: “One of my greatest golden moments was when my entire bag came off in Chanel on Bond Street: a tsunami of p*** cascading down my body crashing to the champagne-carpeted floor. Everyone was lovely and understood, Chanel even sent me a beautiful bouquet of flowers.” For the article published in The Independent, Emin created an exclusive acrylic on canvas artwork, titled “Marriage to Myself”. She also shared a candid photograph of herself standing in front of a full-length mirror with her white urostomy bag visible. While Emin works almost exclusively in the paint medium now, in June she unveiled three bronze doors that she secretly worked on for the re-opening of the National Portrait Gallery following a substantial £44m redevelopment. Etched in individual panels on the doors are 45 female faces, which Emin explained were inspired by facets of her “soul”. Emin said that her arrangement with the National Portrait Gallery was that she was not paid for the work (the gallery only paid the production fees), in exchange for total creative freedom. “It wasn’t a commission,” she explained. “I did it for free. I think the gallery wants to push the idea of portraiture in a different way. “There’s so many different ways to experience somebody’s, let’s say, soul. It doesn’t just have to be what they look like. It could be a portrait of the soul, for example. It could be lots of different things. So I think they wanted it to move away from the idea of classic portraiture. To stretch it.”