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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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It was one of the biggest stories in recent years, and there was even a TV drama and a play about it all - but now Coleen Rooney has broken her silence on the Wagatha Christie case for the first time. In a tell-all interview with Vogue Magazine, the 37-year-old WAG - who is married to former Manchester United and England player Wayne Rooney - revealed what went through her mind before sharing the infamous tweet in 2019 and the following court battle. The tweet detailed the detective work she had undertaken to figure out who was leaking stories about her to The Sun newspaper. She did this by posting three fake stories and narrowed it down which of her followers could view them to see whether they would still get leaked. To conclude, Rooney then alleged where the source came from, with the iconic line "It's ……….Rebekah Vardy’s account." Rooney's sleuthing led the internet to compare her to crime novelist Agatha Christie, which led to the term "Wagatha Christie" being coined. Rebekah Vardy - who is married to Leicester City footballer Jamie Vardy - then brought a libel case against Rooney but after a week-long trial at London's High Court in May last year, the verdict was announced in July that Vardy had lost the case. As a result, Vardy was ordered to pay up to £1.5m to Rooney in legal fees. Here are the 10 best Coleen quotes from the interview: “What I said in that post, I still stick by today.” - on what she wrote in the infamous post that kicked off the Wagatha Christie saga. “We would associate because our husbands had played for England together. But she doesn’t live round here. She wasn’t a friend. I’ve never socialised with her.” - on her relationship with Rebekah Vardy before the revelation and court case. "I’ve never been in a legal case before so for me it was scary." “The thing I was dreading the most was actually going to court.” - on going to court over her Twitter post. “It was so difficult in that courtroom," Coleen said and added: “especially watching her on the stand. It was quite painful. I felt uneasy.” - on being in court and watching Rebekah Vardy testify. “I’d rather spend money on a holiday wardrobe than a court wardrobe." - on her court fashion. “They were just another level. When I was reading them I was thinking: the evilness and the hatred that they had for someone that they don’t even know.” - on Vardy's texts about mentioning Rooney's late sister Rosie for Rooney to find endearing. “'When PE teachers have to teach a bit of geography.' We were laughing about that one." - on the internet meme that came from Wayne carrying Coleen's black Fendi tote filled with folders into court. "I swore,” she says with a laugh. “I think all I did was swear for the whole quarter- of-an-hour phone call.” - on her reaction to finding out she won the court case. “I’m a forgive and forget person, I can’t be bothered with things going on and on."However, she added: "But this is obviously totally different." - on whether she forgives Rebekah Vardy. “I can’t live in the past. It’s happened now and I move on.” - on whether she has any regrets about tweeting out about her detective work. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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