Taylor Swift has released her long-awaited re-recording of her 2014 hit album '1989.' The new release is Swift's fourth re-recorded album, following on from 'Fearless (Taylor's Version),' 'Red (Taylor's Version), and 'Speak Now (Taylor's Version). Swift's purpose in re-recording her back catalogue is so that she can own the copyright to all of the new recordings. This '1989' era marked a swift shift in music genre from country to pop for the singer, a risk that ultimately paid off as '1989' propelled Swift further into mainstream stardom and won the Grammy Award for Album of the Year in 2015. From the feel-good 'Shake It Off' to the anthemic tracks of 'Blank Space,' 'Out of the Woods' and 'Style' to the heartful and cathartic notes of 'This Love' and 'Clean,' Swift explores every avenue of pop. A journey that continues with the five 'From the Vault' tracks with 'Slut!', 'Say Don't Go,' 'Now That We Don't Talk,' 'Suburban Legends,' and 'Is It Over Now?' Now, indy100 is here to listen to '1989 (Taylor's Version) along with you, with commentary on every song as well as fun facts about the album. Welcome to New York October 27, 14:12 Taylor Swift performs at New Year's Eve 2015 at Times Square on December 31, 2014 in New York City. The opening track 'Welcome To New York' gave listeners a glimpse into Swift’s new pop sound with the electronic pop synths kicking things off. Not only does it reflect a change in music genre but also Swift’s literal move from Nashville to New York almost a decade ago as she shared how she fell in love with the city. "I approached moving there with such wide-eyed optimism and sort of saw it [New York] as a place of endless potential and possibilities,” Swift told Good Morning America about the song at the time. “You can kind of hear that reflected in this music and this first song especially." While the lyrics “And you can want who you want/ Boys and boys and girls and girls,” have been interpreted as Swift supporting the LGBT+ community, before she was vocal about her political views. The re-recorded version stays true to the original track with little tweaks to the production as Swift sings with a mature voice.

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Cillian Murphy has addressed the sex scenes with Florence Pugh in Oppenheimer, calling them “f***ing powerful” and praising the acting talents of his co-star. Murphy plays the titular role in the Christopher Nolan movie, focusing on the “father of the atomic bomb” J. Robert Oppenheimer. The actor was asked about the sex scenes between Oppenheimer and his mistress Jean Tatlock, played by Pugh, and he described them as “perfect” and “not gratuitous”. Speaking to the Sydney Morning Herald, Murphy said: “Those scenes were written deliberately. [Director Nolan] knew that those scenes would get the movie the rating that it got.” Sign up to our free Indy100 weekly newsletter Murphy went on to say “I think when you see it, it’s so f***ing powerful. And they’re not gratuitous. They’re perfect. And Florence is just amazing.” The actor went on to praise Pugh’s performance, saying: “I think she’s f***ing phenomenal. She has this presence as a person and on screen that is staggering. “The impact she has for the size of the role, it’s quite devastating.” Meanwhile, Oppenheimer has sparked controversy in India over a sex scene referencing the Hindu holy book Bhagavad Gita. Oppenheimer’s line “Now I am become Death, the destroyer of worlds,” is, apparently, true to real life. It also appeared in the Bhagavad Gita when the god Vishnu is trying to persuade Prince Arjuna that he should do his duty and to impress him, takes on his multi-armed form and says the same words. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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