Content creator Sykkuno described MrBeast's 14-minute video as 'deranged'

Andrew Tate promptly responded to MrBeast's challenge, expressing his acceptance and committing to donating the prize money to a charitable cause

Kevin Hart has been consoled by his celebrity friend The Rock after an accident left him requiring the use of a wheelchair. The actor and comedian took to Instagram to explain to fans that attempting to “do some young stuff” caused him to temporarily need to use a wheelchair. Hart captioned a video on his Instagram: “44 and sitting my ass down!!!!! I got to be the dumbest man alive!!!!! What the fuck am I doing???? I blew my shit….I’m done. FML.” In the video, he explained exactly what went down and how he suffered the injuries. He said: “Ladies and gentlemen the age 40 is real, to all my men and women out there who are 40 years old and above it's not a game. “Respect that age, respect that age or that age will make you respect it. I was just forced to respect it." “This is just a public service announcement because I know people may see me out and I don't want you to be alarmed but I'm in a wheelchair.” He went, on saying he tried to do some “young man’s stuff” and attempted to race the former NFL player Stevan Ridley in a sprint as a bet. It did not end well for Hart as he explained, “I blew all my shit” including his lower abdomen and abductor muscles, leaving him unable to walk. Among the many well-wishes left in the Instagram comments, one came from Hart's friend, co-star and former wrestler The Rock, who shared his experience with a similar injury. The Rock wrote: “I tore my adductor off my pelvis during a wrestling match. True story. You’ll be fine. You’ll grow a 3rd ball but you’ll be fine. Heal up.” Actor Will Smith also commented: “Getting older is REAL!! Heal Up, Kev!!” Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

Ty Pennington is leaving his role as host on 'Extreme Makeover' paving the way for Jesse Tyler Ferguson

Gesine Bullock-Prado, the sister of Sandra Bullock, paid tribute Monday to the actress's longtime partner, photographer Bryan Randall.

Chase Ealey said, 'I've seen like tons of camps and young kids are getting really interested in it, and it's it makes me really proud'