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They call it the queerest cabaret club in Paris: nestled in the capital's Pigalle neighbourhood, "Madame Arthur" dominated the French capital's drag, cross-dressing and trans...

Nina Agdal, the model and fiancée of Logan Paul, has been trending on social media due to an explicit video which people have claimed features her. However, it has been reported that the clip does not show Agdal. Drama Alert posted a picture of Agdal and Paul on Twitter, adding the caption: “Leaked explicit video of Logan Paul’s fiancé is NOT real, DramaAlert has confirmed. “The video is not of Nina Agdal, but of a different girl.” Paul and Agdal have not yet commented on the matter. The clip and discourse around it is thought to be connected to the fight between mixed martial artist Dillon Danis and Paul in Manchester in October, which will be on the same card as KSI vs Tommy Fury. The pair have clashed repeatedly on Twitter, with Danis making claims about Paul and Agdal’s private life. Danis has claimed the pair have had arguments over the MMA fighter’s recent tweets. He wrote last month: “Told Logan to his face he’s marrying a sl** and he didn’t do sh** about it.” He added: “Had his whole team and me in there alone, shows you the kind of man he is.” Danis also appeared on the Full Send podcast and denied going too far with the recent posts. “Everything’s public. It’s not like I’m getting her ex-boyfriends sending me pictures of her in bed – that would be pretty f***ed up, I would imagine, right? “[It’s] public s*** that she can’t handle, that she used in her past, that’s not my problem,” he said. The fighter also claimed he’s “in [Paul’s] head” in the run-up to their fight, adding: “I can’t say too much but he’s really thinking about pulling out [of] the fight because of how personal it’s getting. “There’s definitely trouble in paradise.” Sign up for our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

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Taylor Swift is playing her last US shows on her Eras Tour in LA this month and as you can imagine there is an unprecedented demand for tickets. For those who missed out during the chaotic Ticketmaster US ticket sales back in January, fans remain determined to hear the popstar's biggest hits and are attempting to bag last-minute tickets for the sold-out shows at SoFi Stadium in Inglewood. Originally, face-value tickets sold for $49 to $449, but according to the LA Times, tickets for the first show were on sale from $800 to a whopping $11,000 each on StubHub. Sign up to our free Indy100 weekly newsletter As the first show is due to take place tomorrow (August 3), tickets are continuing to rocket in price with the most expensive listing currently being priced at $25,677 for floor seats while a Level 1 suite is $102,070. Swifties have since been taking to social media to share their tips on how to secure face-value tickets on Ticketmaster which occasionally releases tickets last minute. @joecurtains how to get eras tour tickets day of for face value on ticketmaster: aka what I did to score floor seats only 2 hours before the show started. hoping this finds the right audience so fans can get in and beat the scalpers #taylorswift #erastour #swifttok #taylorsversion #tserastour #tickets #ticketmaster #erastourphilly #guide #howto #fyp #fypシ @Taylor Swift So who's in charge of the ticket prices? Well, there are a number of different factors at play. Promotors are the ones who officially set the prices and get money from ticket sales, but given it's Taylor Swift we're talking about she would also have a hand in choosing the venues and informing the promotor where to set prices. Venues charge a facility fee for hosting the concert and are paid by the promoters for this role, some venues have exclusive deals with certain promoters while others do not. And then there are the ticket companies like Ticketmaster who sell tickets with dynamic pricing where the price of a ticket changes according to demand - a move that has received criticism (though artists can opt out of this, as Swift did). On top of this, there is also the service fee for buying the ticket online, a processing fee that "covers miscellaneous expenses associated with online ticketing", and a facility charge for the venue to host the shows. According to Ticketmaster, input is given by the artist on the service fee and facility charge. Finally, there are the resellers who purchase tickets with no intention to attend the show but rather buy tickets to turn a profit by making listings on marketplaces like StubHub and SeatGeek. Prices can shoot up as there are no limits as to what the seller can charge. “This is a truly market-driven platform,” StubHub spokesperson Jessica Finn told LA Times. “So this is really about what sellers think that the price, the value of the ticket is, and what buyers think the value of the ticket is, and they effectively agree on it with a purchase... It’s very much a dynamic marketplace, prices go up and down and we don’t meddle with that.” A team of people or software bots can be used by the reseller to nab batches of tickets - hence why Swift decided for her UK tour to do album order presales, get fans to sign up for the general sale, and have staggered ticket sales throughout the day to try and stop bots and resellers. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

'Black Mirror' returns with its sixth installment offering five more gruesome episodes about tales of a dystopian future

The BBC is more aggressively bringing “open source” reporting and efforts to expose disinformation to its day-to-day reporting, a move that signals a potential shift in journalism’s embrace of new technology