The director of the controversial Jennifer Lawrence comedy No Hard Feelings has addressed the criticism aimed at the film, and given a pretty clear response. Gene Stupnitsky has spoken about the age gap between the two main characters, which has attracted some backlash on social media. The sex comedy movie was released earlier this year and has now found a new audience after landing on Netflix. The film focuses on Lawrence's character Maddie who discovers a lucrative job for the summer; dating an introverted 19-year-old, Percy – played by Andrew Barth Feldman, before he goes to college. Social media users have criticised the age gap between the characters – but Stupnitsky shut down the backlash in a series of interviews. The filmmaker spoke about another of Lawrence’s movies, Silver Linings Playbook, which features a similar age gap between the characters played by Lawrence and Bradley Cooper. Speaking at the film premiere in New York, Stupnitsky said: “It goes the other way too. We took great pains to be careful about the ick factor because it could go that way... We took a humanist approach and I think that's all you can ask for." Feldman also spoke during an interview with Vanity Fair, saying: "Because what is a comedy if it’s not at least a little controversial?" He added: "But Percy is an adult. I am an adult, and this is a cringe comedy. It should make you uncomfortable. I’m disinterested in a movie, and specifically a comedy, about people who are perfect and make the right decisions all the time.” He went on to say: "[We were so thoughtful about it throughout. Constantly, every day talking about what it meant and how it would manifest in a truthful way. "And I think people are going to be surprised with not just how funny it turns out to be, and how uncomfortable it maybe makes them, but also how beautiful this relationship is and how heartfelt it is." It comes after Lawrence has left viewers of her new film No Hard Feelings stunned by a fight scene on a beach in the new film where the Oscar-winning Hollywood A-lister is completely naked. Sign up for our free Indy100 weekly newsletter How to join the indy100's free WhatsApp channel Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings

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Let’s be honest: none of us saw a song about being possessed by the ghost of writer Edgar Allan Poe coming at this year’s Eurovision Song Contest, but we’re all here for it. In Austria’s entry for the competition – taking place in Liverpool on behalf of last year’s winners, Ukraine – singers Teya and Salena ask “Who the Hell is Edgar?”, and that’s a blooming good question. The answer? Edgar Allan Poe… poe, poe, poe, poe, poe… Yes, that is the chorus, and yes, it is that catchy. So aside from being supposedly possessed by Poe, what prompted the duo to write about the American writer, who died all the way back in 1849? According to the lyrics, the singer is “happy” to be taken over by Poe because the song is “feeling special” and will “make me rich”. Sign up to our free Indy100 weekly newsletter However, arguably the more interesting lines come later in the track, when Teya and Salena reference the figure “0.003” – the amount of money music streaming giant Spotify pays artists after a single stream of a song. The lyrics continue: “Give me two years, and your dinner will be free / Gas station champagne is on me / Edgar cannot pay rent for me. “Zero, dot, zero, zero, three / At least it pays to be funny / Ugh.” So yes, “Who the Hell is Edgar” does appear to actually be about the poor treatment of artists in the music industry. We love to see it – and so do other Eurovision fans: However, Austria’s chances of winning the contest may be scuppered now, after it was revealed on Friday that they would be first up to perform in Saturday’s Grand Final. According to an online article from the Eurovision Song Contest itself back in 2019, at the time, only three songs in the competition’s history won after performing first. Out of 67 winners, just over 34 per cent came from the first half of the show, so it doesn’t look that good for them. Elsewhere, though, there is some good news for Luxembourg, as it’s been announced the country will return to compete in the show from next year – ending a 30-year hiatus after they were relegated in 1993. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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