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Last week Shannon Sharpe announced he was bringing his Club Shay Shay podcast to The Volume, the digital network and podcasting outfit founded by Colin Cowherd. The multiyear deal includes Sharpe's company, Shay Shay Media, jointly producing new programming with the network. A few days after that, both ESPN and Sharpe confirmed reports that he would be teaming up with Stephen A. Smith on First Take on Mondays and Tuesdays beginning next week, dovetailing with the start of the NFL season for what promises to be appointment television.

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Naked Attraction’s Anna Richardson has spoken about the possibility of a celebrity version of the show taking place in the future, saying that she’s already had interest from famous faces. Reports were recently denied that the series was coming to an end on Channel 4, and it looks like there could be enough people to make a celeb version viable at some point. Richardson, who has hosted the show since it first aired in 2016, spoke to OK! and revealed that she’s had interest from showbiz pals. “I’ve bumped into a couple of celebs recently who’ve gone ‘I’d do it!’,” Richardson said, saying that Blue singer and Hollyoaks star Duncan James has expressed an interest. Sign up to our free Indy100 weekly newsletter “Duncan James was like ‘I’m up for it!’, and I was like ‘oh my god!’. And the lovely Anna Whitehouse, who does the Dirty Mother Pukka podcast, said to me a couple of weeks ago that she’d do it! “This is starting to look like we’re getting five pods together…I know in the past Scott Mills from Radio 1 said, possibly as a joke, that he would do it.” As well as talking about future plans for the show, Richardson also said that she’d like to take Naked Attraction on tour. “My big dream is to do Naked Attraction live!” she said. “I’d like to do it as a theatre show. I just think there’s a few things that we could do now to move it on and Naked Attraction Mark 2. But we’ll see…..” Of course, Naked Attraction is a unique TV programme that sees contestants baring all in the hopes of being chosen by the person looking for love. It’s seen plenty of memorable moments over the years, and the new most recent 10th series was no different – with one contestant provoking somewhat of a large talking point after being labelled “dangerous”. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

As well as introducing groundbreaking garments for women, Gabrielle ‘Coco’ Chanel embodied her brand in a way no other designer had done before, a new exhibition highlights. Gabrielle Chanel. Fashion Manifesto – at London’s V&A Museum – traces the life and work of the famed French designer, who was born in the Loire Valley in 1883 and taught to sew by nuns in the orphanage to which she was sent aged 11, when her mother died. “Before her, designers weren’t really known,” says Oriole Cullen, curator of modern textiles and fashion and the V&A. “Their names were known, but they weren’t visible figures within society.” Starting out as a seamstress and cabaret singer, before establishing herself as milliner, Chanel later turned her focus to couture fashion and began designing casual clothing for women, inspired by the menswear of the era. “The Chanel brand as it stands [today] is really based on these ideas that she ushered in 100 years ago,” Cullen says, which is where the exhibition title comes from. “The meaning of that is really about a template that Gabrielle Chanel set out at the very beginning of her design career and came back to, reimagined and reinvented throughout her long career of sixty years.” Bringing together nearly 200 outfits, the show features items from the opening of her first millinery boutique in Paris in 1910, to the showing of her final collection, two weeks after she died in 1971. Signature designs on display include little black dresses, tweed suits and quilted leather handbags – the most iconic of which is the 2.55 bag. “The 2.55 has never really gone out of fashion since she designed it in 1955,” Cullen says. “That is fascinating in terms of high fashion, that an object can stay the course for such a long time and still be relevant.” Part of the upper echelons of French society, Chanel initially relied on wealthy lovers, such as French ex-cavalry officer Etienne Balsan and English polo player Arthur Edward ‘Boy’ Capel to fund her boutiques. Later becoming a celebrity in her own right, she amassed a personal fortune, thanks to the success of her fashion, accessories and cosmetics lines. “The perfume Chanel No5 was introduced in 1921, but then introducing make-up in 1924 and skincare in 1927, she was really ahead of her time,” Cullen says. “It’s something she was doing because she was designing for herself.” Chanel is credited with helping to liberate women from the constricting corsets and long skirts that were de rigeur at the turn of the century, and for popularising softer textiles, such as jersey. “She cuts her garments with high armholes, so you can lift your arms over your head,” Cullen continues. “She thinks about fabrics that are practical, and skirt lengths you can move in.” The exhibition – which was originally staged at Paris’s Palais Galliera in 2020 – highlights the brand’s UK and Ireland connections via British Chanel Limited. “This was an umbrella company set up in 1932 to work with an array of British textile manufacturers,” Cullen explains. “From lace in Nottingham, cotton velvets from Manchester, wools from Huddersfield, and also voiles and silks from Carlisle. “One of the other companies she worked with was the Old Bleach Linen Company, which is based in Randalstown in Northern Ireland.” Split into 10 sections, the exhibition concludes with a recreation of the mirrored staircase from Chanel’s Paris atelier. “Gabrielle Chanel used to sit at the top of the stairs when she was having presentations,” Cullen explains. “The models would descend and this faceted mirror would reflect back the audience’s faces to her, so she could read the mood in the room.” Gabrielle Chanel. Fashion Manifesto opens at London’s V&A Museum on September 16. Tickets available at vam.ac.uk/chanel. Read More Charity boss speaks out over ‘traumatic’ encounter with royal aide Ukraine war’s heaviest fight rages in east - follow live 6 times Kate has worn London Fashion Week designers Pro-gamer Jukeyz ‘died for two minutes’ after cardiac arrest which left him ‘scared to sleep’ Young people not snowflakes or wasters, says curator of rebellious fashion exhibition

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