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Head to Google’s homepage today and you’ll see its primary-coloured logo transformed into an elaborate floral display, accompanied by an imposing, androgynous face. This face belongs to the pioneering British artist known only as Gluck, who is celebrated both for their iconic portraits and picture frame designs, and for their bold rejection of gender norms. Google has used its Doodle design to pay tribute to the trailblazing visionary on what would have been their 128th birthday. So what do we know about Gluck? And why was their work so important? Sign up for our free Indy100 weekly newsletter Gluck was born Hannah Gluckstein in London on 13 August 1895 to a wealthy catering family. However, as they grew older, they rejected their full name – asking to be referred to simply as Gluck. They attended the prestigious St. Paul’s Girls’ School in Hammersmith before moving on to St John's Wood School of Art. During World War I, they moved to the village of Lamorna in Cornwall, which was known for its buzzing artists' community. There, Gluck began to defy gender norms and fashions, donning men’s clothes and sporting barbered hair. According to the Royal Academy of Art, they refused to identify with any artistic school or movement and so exhibited their work solely in “one-man shows”. They also wrote on the backs of publicity photos: “Please return in good condition to Gluck, no prefix, suffix or quotes.” And, as Google notes, when one art society identified Gluck as “Miss Gluck” on its letterhead, they immediately resigned. Still, despite what would have been eyebrow-raising practices at the time, Gluck earned popularity among their peers and the wider public. In 1932, Gluck designed and patented a three-tiered picture frame, which later became known as the Gluck frame. This traditionally matched the colour of the wall on which it hung, giving the illusion that the painting was part of the wall itself. But perhaps their most famous work was a double-portrait of Gluck and their lover Nesta Obermer, called ‘Medallion’. Gluck referred to the 1936 piece as the “YouWe” picture, which symbolised their spiritual, marital union with Obermer. They later explained that, on 23 June 1936, the couple had attended a production of Mozart’s Don Giovanni at Glyndebourne. Gluck felt that the intensity of the music fused them into one, inspiring the “YouWe” painting as a public declaration of love and commitment. “Now it is out,” they subsequently wrote to Obermer, “and to the rest of the Universe I call Beware! Beware! We are not to be trifled with.” Up until their relationship with Obermer, Gluck was better known for their still-lifes of flowers, which were inspired by arrangements created by their former lover, florist Constance Spry. After this affair ended and their relationship with Obermer blossomed in its place, Gluck’s subjects and style evolved, with the focus shifting to their alliance, which they saw as a true meeting of souls. In 1973, Gluck held their final exhibition, which debuted more than fifty paintings from across their career. As Google points out in the blurb to its Google tribute, Gluck refused to compromise artistically and personally, and their legacy continues to inspire artists to express themselves freely today. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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No, Wes Anderson hasn't been scrolling on the For You page, as the filmmaker revealed that he has never seen a TikTok - despite there being an entire trend about his films. The 54-year-old is widely known for his distinctive cinematic style in terms of cinematography, colour design and composition, and some of his films include The Grand Budapest Hotel (2014), The French Dispatch (2021), and most recently Asteroid City (2023) and many more. Earlier this year, a TikTok trend emerged where people filmed their mundane activities with symmetrical shots and quirky music and it all began with TikToker @avawillyums who filmed her train journey emulating the movie director. Sign up to our free Indy100 weekly newsletter The hashtag "Wes Anderson Trend," now has over 216m views, however despite the virality of the trend, Anderson himself still hasn't seen a single TikTok. @avawillyums With a good imagination, everything is symmetrical. Let a girl day dream! #wesanderson Speaking to The Daily Beast, he confessed when asked about the emergence of AI-generated trailers that reimagine classic movies such as Star Wars, Lord of the Rings, and Dune in his cinematic style. "I’ve only been exposed to it verbally. I haven’t seen any of it," he said. "Obviously, it’s easy for me to go to the right web page and see it. I choose not to really engage. I guess it’s because I don’t want to get distracted by that." He added: "It’s a bit like if you’re told, 'Your friend does a great version of you.' Maybe you say, I’d really like to see it, and maybe you say, I don’t want to see a version of me, even if it’s good. It can be like, “Is that me?” That’s not necessarily the thing you want." It was after this that he mentioned how he hadn't seen a single TikTok video. Anderson said: "At some point, I’m sure I’ll go in there and see. But I’ve never seen a TikTok, for instance, of anything. I’m not going to start with me. [laughs]" Meanwhile, Anderson's latest film Asteroid City (2023) is set to be released on June 19 and stars Tom Hanks, Scarlett Johansson, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Adrien Brody, Edward Norton, Steve Carell, Hope Davis, Live Schreiber, Rupert Friend, Hong Chau, Maya Hawke, Stephen Park, Willem Dafoe, and Margot Robbie. Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

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Nella Rose and Nigel Farage appeared to butt heads during last night's I'm A Celebrity (28 November), when the YouTuber attempted to school the former UKIP leader on cultural appropriation. The discussion came about after Nella spotted Fred Sirieix' pronunciation of 'water', and Fargae chimed in to say you "can't win" when it comes to what you can and can't say. "You go to a fancy dress party, dressed as something, and now the press will say it’s cultural appropriation", he continued. Nella responded: "Well yeah because you can’t use somebody’s culture as a fancy dress." Sign up to our new free Indy100 weekly newsletter

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