'Winter House' Season 3 newbie Casey Craig is a cryptocurrency professional

'She just started to back up toward me and looked at me and got close and elbowed me,' said Sage Steele

Paris Hilton is overjoyed with her son Phoenix Barron who was born via surrogate in January

A music video for a controversial Jason Aldean song that has received both backlash and support has been shortened by a few seconds, removing apparent television footage of a protest in Atlanta, Georgia.

Taylor Swift has announced that her Eras tour will be hitting the big screen, with the concert film being released in cinemas in North America on October 13. In the announcement, Swift described how the sell-out stadium tour has been "the most meaningful, electric experience of my life so far," as well as letting fans know tickets are on sale now. "Eras attire, friendship bracelets, singing and dancing encouraged...," she added, before signing off the post with "1, 2, 3 LGB!!!! (iykyk) [If you know you know]." For this last part, Swifties know all about this abbreviation as it is a fan chant that stands for "1, 2, 3, let's go b****!" This first became a thing when a fan shouted this during Swift's performance of 'Delicate' during her Reputation Stadium Tour. When Swift sings the line: "We can’t make, any promises now can we babe, but you can make me a drink…,” there is a brief pause before the verse where fans chant: "1, 2, 3, let's go b****!" Clearly, the 'Anti-Hero' singer has heard this chant loud and clear during her Eras Tour shows to include this fan lore in her latest post. It's not the first time Swift has released a film documenting her career milestones, as on Netflix there is the Miss Americana (2020) documentary that chronicles her musical journey and details her personal life. While fans of the 2017 reputation album can relive the live shows as the stadium tour was recorded - and both films are currently available to stream on Netflix. In 2020, the Folklore: The Long Pond Studio Sessions where Swift performed the songs and gave insight into how they were made was released by Disney+. Most recently, Swift released All Too Well: The Short Film in 2021 where fans can watch the short film on YouTube and at the time it was also released in select theaters by Universal Pictures. Sign up to our free Indy100 weekly newsletter Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

The 23-year-old aspiring model expressed her contentment with Lovato being supportive

There are still three weeks to go before anyone gets to actually see Greta Gerwig’s Barbie movie, but it’s already completely monopolised pop culture, from music to fashion to furniture. Google “Barbiecore” and you’ll find the film’s pink-plastic aesthetic infiltrating everything you can imagine, with TikTok clips offering detailed outfit suggestions to viral Twitter threads praising individual looks from the film’s characters. But nothing is getting quite as much attention as Barbie herself. Or, more specifically, the red carpet wardrobe of the actor playing her. Across social media, Margot Robbie has been the subject of endless posts, threads and reels as a result of her chosen ensembles. “Margot Robbie had the chance to do the greatest fashion press tour ever and lord did she take it,” reads one tweet. “Margot Robbie just absolutely slaying all her Barbie press tour looks,” adds another. Meanwhile, British Vogue recently described her as an “unstoppable fashion force”. In typical Hollywood, none of this would be particularly remarkable. Robbie is, after all, an A-list star with an entire entourage of people whose job it is to make sure she looks her best all of the time. The fact that she keeps knocking it out of the park on the Barbie press tour, then, should just be par for the course. But, for Robbie, this carries special significance. Rewind just a few months, and Robbie’s red carpet presence had become something of a political issue. In January, social media was alight with derision for her red carpet wardrobe, mostly due to her long-standing partnership with Chanel. According to Robbie’s fans, the actor’s sense of personal style had been neutered by the luxury Franch conglomerates, with many insisting – albeit without any real evidence – that she was being forced into wearing garments she didn’t actually like. Celebrity stylist Elliot Garnaut labelled Robbie the “worst-dressed” celebrity in Hollywood, adding that someone at Chanel “obviously hates her”. Of course, nobody knew how true or false such claims were. But fans noticed a marked difference in Robbie’s demeanour whenever she stepped out in a designer ensemble that wasn’t Chanel. There was an entire Bottega Veneta phase, for example, where photos of the actor went viral alongside speculation that she was entering her “new fashion era”, finally unshackled from Chanel’s chains. What all of this taught us was that people quite clearly care quite a lot about what Robbie wears. Now it seems they care more than ever. The actor truly hasn’t missed a beat with her press tour wardrobe, tapping into cult vintage looks and recreating actual Barbie doll outfits. As is expected, there is a lot of pink. But it’s not just happening on the red carpet. Remember the iconic tweed blazer originally worn by Claudia Schiffer on the spring/summer Chanel 1996 runway? Robbie was spotted wearing it with jeans and a white crop top when she landed at Sydney airport last month. Her luggage was also pink, naturally. Another Chanel moment came via a sunshine-yellow tweed suit that looked like it had been plucked straight out of Cher Horowitz’s wardrobe. Speaking of co-ords, we’ve seen plenty. There was the pink gingham Prada set Robbie wore to CinemaCon 2023, and the bespoke Bottega Veneta pleated skirt and crop top that the label made especially for the press tour (the exact shade of pink matches that of Barbie’s car). Elsewhere, we’ve seen Robbie wearing the iconic pink polo neck and metallic skirt by Versace from its autumn/winter 1994 collection – fashion fans will remember photos of Kate Moss wearing this on the runway. She paired the look with white platform sandals and lilac socks: a perfect way to accessorise like a doll. Another standout vintage Versace look from the same collection came at a Barbie event in Sydney, where the star wore a pink sequin minidress complete with a corseted bodice. But the undisputed highlight has been the moments in which Robbie directly references Barbie herself, with looks taken from 1950s dolls. At a press conference in Seoul, Robbie dressed in a pink sparkling skirt suit covered in crystal studs, complete with a heart-shaped bag and a pillbox hat. Then there was the “day to night” doll look from 1985 that Robbie recreated – courtesy of Versace – in a pink pencil skirt suit with white lapels and matching high heels. The actor referenced another look worn by the same doll later that night, in a tulle Versace dress complete with a sparkling bodysuit. Over in Sydney, we saw the actor don a striped bodycon minidress by Hervé Léger that paid homage to a swimsuit worn by a Barbie doll from 1959. And at a photocall in LA, Robbie wore a pink polka dot cutout dress from Valentino that referenced a similar frock worn by another original Barbie doll. And in a double whammy of references, it was also a remake of a similar gown worn by Karen Mulder on the brand’s spring 1993 runway. All of this has been the work of celebrity styling mastermind Andrew Mukamal, who has worked with everyone from Zoe Kravitz and Billie Eilish to Kieran Culkin and Irina Shayk. “We’re always thinking about risks to take,” Mukami once told Vogue of his long-standing partnership with Kravitz. “We want to make an impact and create iconic moments that people will remember and be drawn to.” It seems he’s taken this exact modus operandi and applied it to Robbie, too. And thank goodness, because Barbie is nothing if not defined by what she wears. In 2023, that might sound reductive. But given Gerwig’s esteemed reputation and what we know about the film so far, we have every reason to believe that fashion, much like everything else, will prove to be an important and meaningful platform in the script. Robbie’s archival wardrobe also marks the latest sign that red carpet fashion is leaning increasingly backwards. The only outfits that matter are those that we’ve seen before. At least, that’s how it seems when you consider the fanfare surrounding celebrities any time they get their hands on a cult vintage look. This taps into the sartorial zeitgeist of shunning fast fashion in favour of sustainable alternatives. But it also suggests a slightly less exciting prospect that fashion is running out of new ideas. Even at the Met Gala, fashion’s greatest global stage, some of the most talked-about looks were vintage. Is this the death knell for originality? And what of Robbie’s own style progression? Once the Barbie press tour is over, will she go back to grinning weakly in Chanel pastels? Nodding to fashion history is a worthwhile cause. But it’s something the Queen of fashion herself, Vogue’s Anna Wintour, famously despises: “Fashion’s not about looking back. It’s always about looking forward,” she once said. Try as she might, Robbie can’t dress like a doll for the rest of her life. So perhaps this marks the start of a new costume-orientated era for the actor, one where fashion will be taken more seriously than ever before. Funnily enough, it’s a modus operandi that puts her more in sync with Barbie than anyone could have anticipated. ‘Barbie’ is in cinemas from 21 July Read More Hostage to fashion: Margot Robbie’s Chanel problem speaks to a wider red carpet crisis Walk this way... but not like that: How men’s walks became sexualised Plastic fantastic: Barbiecore is the fashion movement turning hyper-femininity on its head

IShowSpeed called his father, Darren Watkins Sr, during a recent livestream and promoted his YouTube channel, 'DaddySpeed'

There have been many questionable items for sale in recent months, including bottles of spit and bath water. But now, Lil Yachty has jokingly suggested he's selling Drake's half-eaten pizza for $500,000 (£402,800). Over the weekend, the rapper took to his Instagram story with a snap of the partially eaten pizza. "Selling this drake bit slice of pizza for 500k," the on-screen text read. The post soon made its way over to Twitter, where one person responded: "The fact that someone will actually buy this". "We just hit a peak of the financial bubble," another tweeted, while a third joked: "Make the bread... Or sell that bread". One intrigued investor asked: "Where do I inquire?" Sign up for our free Indy100 weekly newsletter It comes after Lil Yachty joined Drake on a live stream on Saturday (3 June) for online betting agency Stake. At one point, the Toronto rapper was left red-faced after attempting to donate $500 (£400) to an online streamer – but his card declined. After entering a verification code to authorise the purchase, the dialogue box disappeared to show the payment hadn't in fact gone through and Drake would have to try and pay again. "Embarrassing," Drake sang in a high-pitched voice, as fellow rapper Lil Yachty smiled at the mishap next to him. Many more viewers turned their attention to Drake's yellow-painted nails. While some were quick to praise the star's decision, others weren't too keen on the colour choice and wished he had opted for a different shade. "I never have an issue with men wearing nail polish itself but my issue is the fact they always choosing ugly colour," one person quipped. Meanwhile, another added: "Why is Drake wearing yellow nail polish…. Ugh." Have your say in our news democracy. Click the upvote icon at the top of the page to help raise this article through the indy100 rankings.

'I won't stop fighting for this until I win. And I will win because the law is on our side,' says Rymir Satterthwaite

Nigerian Afrobeat star Seun Kuti, who is facing trial on on charges of assaulting a police officer, will embark on a delayed concert tour after being released on bail, his manager said Wednesday

Tristan Tate claimed that a majority of those of fought and died in the war to free the slaves were White men